Early Work History: Sold sugary fruit-flavored shaved ice piraguas on busy South Bronx streets for chump change.
Volume 30 Issue 2
We at Montréal Serai are overwhelmed by the response to our call – a response by writers, artists, poets and performers, sharing their experiences, at times highly personal, within this new state of the world.
The 70 per cent of Canadians living in poverty are part of the “working poor:” people who are working, but don’t make enough to get by.
The current land and seascape paintings combine near-abstraction with realistic references.
The precariat is growing because “there was a crude social compact in the globalisation era.”
Oleg Dergachov is an internationally recognized Canadian cartoonist who has won over 130 international prizes and awards in 25 countries.
As the woman is walking back and forth between the two poles, I try not to think about where I want to be in five years.
He could hear them in the night as they shuffled and whispered, their murmurs a prelude to the shrieking that he knew would finally erupt and the wave of pain it heralded that would swallow him.
One day, I had to face the fact that there were no more options, and even borrowing on the future was no longer viable.
It is as if she had come to me in her old age, dressed in black, to tell me the dangers she faces and how she is coping with them, and as if I were meant to be her messenger.
Like worms in the soil, we love to slide and wriggle down this wonderful rectilinear cement-way of uniformity.
When we were young, some of us were very fond of the phrase, “Live dangerously until the end” (courtesy of Godard, not Nietzsche).
In Latin, precarius is something given to you as a favour by somebody else, or in other words it describes a bond of dependency.
On the face of it, Icaros: A Vision brings together two pathologies, a shaman’s developing blindness and a rich Westerner’s spreading cancer.
Chew-Bose invites us to meander with her through her thoughts and live with her reflections on a wide variety of subjects touching on relationships, art, movies, music.
“War on drugs is hell,” announced Candide to his friend.
Throughout Mapping Grief, Granter refers to a considerable number of artistic works that seem to have their place in her narrative as witnesses to the enduring powers of life, youth, love, urgency, innocence, and artistic timelessness.