Submissions

Proposed themes for this year’s upcoming issues

Vol. 32 No. 3 Early October, 2019

Theme: Performance as Change
Submission due date: August 15, 2019

Theme description

If you are passionate and fuming about the statistics of humanity, the numbers related to injustice, impoverishment, inequality and intolerance; if the absurdity of the human condition urges you on to engage in the theatre for change, in making films that reflect deeply on the crises we face as a society; if your forms of performance, be it spoken word, dance, theatre, cinema or puppet theatre, form the backbone of your performative existence, we ask you to write about it for our next issue on “Performance as Change.” Video clips and audiovisual links are welcome. For details on length and deadlines, please see below.

Vol. 32 No. 4 – Early January, 2020

Theme: The Literature Issue – Intersections between science and art
Submission due date: November 15, 2019

Theme description

Scientists search for the truth through observation and analysis. Artists try to express the ineffable through creativity and the senses. A scientist thinks, an artist feels. In post-cartesian societies the divide between science and art deepened. Science-fiction writer  Ursula LeGuin  attempted to close the gap, by imagining unlikely, albeit scientifically possible worlds. Salvador Dali  understood what makes a clock tick but was more interested in making time warp. John Cage explored why a  sound becomes music to human ears but dared to break all the rules. Have you, readers and writers,  ever wondered about the true nature of a broccolo romanesco?  Is it just a tasty and nutritious fractal or simply an expression of nature’s sense of style?

Montreal Serai invites you to explore the intersections between science and art.

Guidelines

Montréal Serai is always soliciting new ideas and materials from outside its geographical purview, on arts/culture/politics. Articles should be well written and not exceed 3,000 words.

We accept reviews of all kinds, covering arts, politics, culture, music, literature and film. We also accept political cartoons. We’re open to new information and regard every submission with the utmost respect.

Montréal Serai respects access copyright understanding on intellectual property rights. We do not publish without the permission and acquiescence of the writer.

See Submission Guidelines below.

Submit to: submissions@montrealserai.com

Comments in general: talkback@montrealserai.com

Snail mail:
Montréal Serai
P.O. Box #72,
Succursale NDG
Montréal, Québec
Canada H4A 3P4

Submission Guidelines:

Montréal Serai welcomes your own original, unpublished submissions of art, cartoons, prose, poetry or fiction. Written submissions may not exceed 3,000 words. Audio and audio-visual components are welcome.  Submissions published on your personal blog may be considered if you identify them as such and provide appropriate links.  Serai reserves the right to reject any submission that does not meet its standards or mandate, and will not entertain violent or sexually explicit material or material that does not respect human dignity or that offends minorities on the basis of race, gender, sexual orientation, religious affiliation, disability or personal beliefs.

A maximum of eight photographs will be allowed in the case of visual art in jpeg, pdf and tiff files. Videos should be in mpeg format and compressed. Submissions should be made in the body of the email or in an attachment thereto. Snail-mail submissions are also accepted and must include an email address for acknowledgement and urgent communication. Photographs and texts will not be returned unless accompanied by a self-addressed stamped envelope. If the contributor is found to have violated Montréal Serai guidelines, the submission will be withdrawn from the issue.

Please note that once a submission is accepted, all efforts will be made to respect the spirit of formatting, spacing, etc. used in the original submission. However, these aspects cannot be guaranteed. The online layout of a particular piece is viewer-dependent and relies (dynamically) on aspects such as screen size, resolution, and other factors. If a specific layout is absolutely necessary, we recommend that the author provide a high-resolution image of the text with the appropriate layout.

Montréal Serai is a digital magazine with universal, free access. Readers may request a free subscription for advance notifications. Although the editorial team volunteers its time, we make it our priority to pay contributors with the remainder of funds from grants from the Canada Council for the Arts (after operating expenses are taken care of). Ex gratia honoraria are provided at the discretion of the editorial board for accepted and published work.

Although we welcome experiments in language and deliberate lapses, contributions will be subject to rigorous standards of editing.

Submission deadlines are stated above. Publication begins at the beginning of April, July, October, and January. Additional articles might be posted in booster issues depending on submissions received.

Kindly send an author’s biography of no more than 25 words. By submitting via email or snail mail, the author is deemed to have accepted Montréal Serai’s terms and conditions. Snail-mail submissions must be signed by the author, otherwise they will not be entertained.  Prior publication of all or part of the submitted work must be explicitly stated in the submission.

Policies:

By submitting to Montréal Serai, the contributor acknowledges and accepts the following policies.

Copyright ownership:

Copyright on original pieces published at Montréal Serai remains with the contributor, with two provisos:

  1.  If reprinted elsewhere, a note crediting original publication at Montréal Serai should be included.
  2.  Montréal Serai reserves the right to republish the article in the future.  Every attempt will be made to advise the contributor at that time.

Interview guidelines:

  1. Right to refuse interviews:  A person may refuse to participate in a discussion or interview. Montréal Serai does not require that any reason be given.
  2. Interview use: Prior to an interview, the Montréal Serai interviewer must inform the interviewee about the use of the interview. The interviewee will not necessarily be contacted about further uses of the material. However, where possible, the interviewee will be given the chance to review the article prior to publication.
  3. Notification of the start of the interview: The Montréal Serai interviewer must clearly indicate to the interviewee the start of the interview. Material collected from that interviewee before the start of the interview may not be used without prior consent of the interviewee.
  4. Payment to interviewees: Montréal Serai does not pay interviewees.
  5. Disagreement about publication: Once material has been recorded (digitally, by hand, or by other means) by Montréal Serai, final decisions on publication of the material remain at the discretion of Montréal Serai’s editorial board. It is understood that the interviewee has assented to publication of the material by participating in the interview at the time of recording.

Content permanence: 

Our website serves as an archive of the work done by Montréal Serai. Any submission will thus be archived for posterity.

Links: 

Montréal Serai may sometimes provide a link to websites that do not share its editorial view but provide useful insights. Montréal Serai is not responsible for the content on these sites.

Content sharing with other online publications: 

Montréal Serai content may be linked to other organizations or reprinted with the consent of Montréal Serai’s editorial board, providing that full credit and linking to Montréal Serai is included. Rights to the reprinted pieces remain with the author.

Reprints:

Montréal Serai clearly credits other publications when material is reprinted from another source.

Warranties, representations, indemnities:

The Writer warrants and represents that:
(i)  all of the Work shall be wholly original, except as to matters within the public domain
(ii) none of the Work shall infringe upon or violate the rights of privacy or publicity of, or constitute defamation against, or violate any common law or any other rights of, any person, firm or corporation.

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