Kahwà:tsire

“Family & Longing – Kaska:neks ne Kahwà:tsire tanon Satonhet” © Leah Kanerahtaroroks Diome Acrylic on canvas, 24" X 24" A Mohawk couple wrapped in a blanket together, while in the background are activities going on in and around the Longhouse, framed by a floral vine
“One – Akwé:kon Skatne” © Leah Kanerahtaroroks Diome
Acrylic on canvas, 40” X 40”
A Kanien’kéha:ka woman wearing a mask and two Kanien’kéha:ka men wearing Kostowas and masks

Why I paint

For me, painting is like breathing. It is a process, a journey, an essential form of expression and mindfulness where my heart leads and my mind follows, and there are no critics. It is my playground, my happy time where curiosity and creativity run wild and I feel free and childlike again. The process is a prism through which my experience is synthesized, dancing my brush across the canvas, honouring my inner rumblings and fire (Satonhet).

With some informal training in the last three years, I am primarily self-taught, drawing from fellow artists, books and internet resources. Each sitting is a new experiential learning opportunity and technical challenge.

The effects of intergenerational trauma on both my family and community are felt every day. As an Indigenous woman, the painting process has been cathartic. It has had a grounding effect on my life, bringing clarity, joy and self-expression. It has allowed me to sit with difficult emotions without letting them devour me, as they so easily could. I’ve grown as a person of this earth and as a mother. Artistry in its many forms is an effective means of self-exploration, healing and activation of our inner wisdom. To sing the song we are meant to sing on this earth, we all need to embrace our inner fire—and the introspective nature of artistry facilitates that process.

Today I share with you three of my more recent acrylic-on-canvas paintings. Sharing these paintings with you is like sharing a piece of my heart. In doing so, I am connecting with the ​Montréal Serai​ community in an effort to bring about awareness of Indigeneity and artistry as a means of personal insight and growth.

“Sing – Saterennò:ten” © Leah Kanerahtaroroks Diome
Acrylic on canvas – 48″ X 30″
A water drum with a crow sitting on the drum stick—the song, an expression of inner fire (Satonhet)
“Family & Longing – Kaska:neks ne Kahwà:tsire tanon Satonhet” © Leah Kanerahtaroroks Diome
Acrylic on canvas, 24″ X 24″
A Mohawk couple wrapped in a blanket together, while in the background are activities going on in and around the Longhouse, framed by a floral vine

*Note:

In Kanien’kéha:ka, this is what is meant by the following words:

Kahwà:tsire: family / All Our Relations / inner fire

Onkwehonwe:neha​: an Indigenous person who is authentic / true to themselves

Satonhet: y​our fire, the heart of your existence, your essence or spirit. When you access your ​Satonhet, you are one step closer to identifying, manifesting and sharing your unique gifts and purpose on this earth.

Akwé:kon: all / everyone together

Skatne: together

Kaska:neks: longing / deep desire

Tanon: and

The artist can be followed or contacted on Facebook (Leah Kanerahtaroroks Diome) or Instagram @leahkdiome. Or visit The Purple Dragonfly Trading Post, P.O. Box 1486, Route 132, Kahnawake, Québec, J0L 1B0


Leah Kanerahtaroroks Diome is a Kanien’kéha:ka woman of the Wolf Clan, a mother, artist, wisewoman herbalist, holistic wellness nurse coach, naturopath and yogini from the Kanien’kéha:ka Territory of Kahnawake, Québec. Her diverse background in the healing arts draws from both Eastern and Western medicine and is guided by ​Onkwehonwe:neha*​ principles. She also incorporates holistic approaches to health, spirituality, well-being and the natural world in all her practices. Despite having limited opportunities for artistic expression growing up, the longing for it was always there. Leah was thankful when she was afforded the opportunity to take part in choirs, drama productions, dance, beadwork, and sewing. After much soul searching, in her later years, the call to create drew her to the inherent balance she finds in painting. (*Onkwehonwe:neha​: an Indigenous person who is authentic/true to themselves.)