Detail of Lake Gadisar © Ajit Ghai


Artist’s Statement

All through my training in sketching and painting, I was inspired by Bargue and Gérôme’s Cours de dessin to reproduce what I saw in real life and the natural world. Included below is one of my sketches (2016) of Bargue’s Plate I, 63:

 

Sketch of Bargue Plate I, 63 © Ajit Ghai

 

The following three paintings are from photographs I took on my trip to Rajasthan (India) in 2012. They are all done in oil on canvas.

 

Lake Gadisar was built in 1156 in the sandy district of Jaisalmer that lies in the heart of the Thar Desert. This spread of water in a region surrounded by treeless sands exists as an essential anomaly that once provided water to the entire city.

 

Lake Gadisar © Ajit Ghai

 

The painting Rajasthan Camel Herders, Jaisalmer is reminiscent of an ancient form of transportation that has survived for centuries. It is as old as India and neighbouring countries. The desert sands that blow in the wind know no barriers and tell few stories. They are eternal.

 

Rajasthan Camel Herders, Jaisalmer © Ajit Ghai

 

Jodhpur Fort Wall depicts the flat and narrow walls of the famous Mehrangarh Fort built in 1459 by Rao Jodha. What you often see in pictures is the large and imposing structure of this fort, but the painting below depicts the extent of what I saw between two walls. The narrow stretch of blue, the distant gold, and the flight of birds is what has existed for centuries.

 

Jodhpur Fort Wall © Ajit Ghai

 

 

 

 

© Ajit Ghai

 

Landscape of Abandonment

Trees have abandoned
their hard-working leaves to the cruel
November winds. The winds pluck the leaves off

one by one. And cold nights let frost
descend upon the shore. The wild
flowers that thrived here

are here no more. And a layer of ice newly formed
on the lake shuts tight
the food cupboard’s door

upon the birds. Migrating birds stop
dropping by the lake when it closes
its heart and door.