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Contributors

Ceta Gabriel

Theatre Commentary

How “Vierge” hits home with a daughter of the African diaspora

Friendship, religion, family, and betrayal—this play is an excellent representation of Black girls from the African diaspora growing up and acclimating to Canadian culture.


Oliver Jones mural in Little Burgundy – photo © Ceta Gabriel
Autofiction

One Crows’ Sorrow, Two Crows’ Joy

This is an auto-fictional story. It is not romantic. No palatable packaging. Just a complex series of nuanced, semi-fictional, real and raw events.


Editors' picks

  • Art

    Not So White, Not Quite Black: A Provincial Life in Monotones

    Pranav Prakash
  • Art

    Immersed in the materiality

    Justine Béliveau
  • Book Review

    Mexico: Historic heartland of a radical social movement

    Maya Khankhoje
  • Poetry

    Sneers the poem

    Nicola Vulpe
  • Short Story

    Talking on the Wall

    Ami Sands Brodoff
  • Book Review

    What Do We Mean When We Talk About Class in Canada?

    Veena Gokhale
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