32nd Ave., Lachine Now night, and off the curving yellow arches, the light, usually so harsh, glows dull in summer's haze. Moths leave it alone, cavort with brighter street lights. Cars move slowly, their noise softened. Songs drift by – salsa, reggae – and quiet voices. Even the motorcycles, summer's lords, are muffled. Inside, under a strong white light, white women sit, examine prospective customers. Outside, a dusky terrace, where black kids lounge. Across the street, people disappear down a dark lane next to the used car lot: a scary little guy with two giggling girls, a couple on a scooter, a man with a dog. A fat old man wears a slender nasal lifeline with resignation. Become a hybrid, battery and oxygen powered, he parks his electric wheelchair near my car. I turn the key to check the time and the headlights play on the thighs, smooth and hairless, of a girl on rollerblades. Passively she glides. Her boyfriend on his bike smiles, his arm around her waist, and tows her back to their place. It is a night (the critics will say) of lyric intensity. Applause that we come out and take our marks and with our flesh make the scene: that we are here, and here, there's ice cream. Beggar, Namur Station The women come down the stairs like wet flowers They watch their feet their heads bent like dripping flowers He sits near the bottom of the escalator inhales the scent of moist flowers As they come some raise their eyes and their lips curve like soft flowers And they notice he is blind as a flower
Louise Carson is published in Event, Other Voices, FreeFall, Our Times, poetsagainstwar.ca, The Nashwaak Review, Cahoots, Jones Av., Poetry-Québec and, previously, in Montréal Serai.
