The Volunteer
(Extract from Something Bigger)

Maria Worton
The suffering of humanity inspires in us a pity that increases in direct ratio to the distance separating the sufferers from ourselves. Marcel Proust.


You get to talking. In the ward. You know, with the patients. Well you want to make them feel better. There’s no point being there if you’re going to make them feel worse, right? But sometimes it’s tough you know. It gets so that you’re even tempted with some people to pretend there’s such a thing as God. But being an existentialist /anarchist/atheist you don’t want to be a hypocrite. Besides you’re no actor and they’d probably see right through that performance. But you have to say something, because you’re humanitarian too, right? You want to tell them instead, ‘Heh, cheer up, it might never happen.’ But you can’t, because of course it already has. So you suggest instead, in so many painstaking words, that, it’s going to get better. But they tell you it’s terminal. Which, frankly, throws you a little off kilter. I mean shouldn’t someone have said something sooner?

Copyright Less CosgroveBut knee deep in good intentions you broach the possibility of ‘remission?’ And they tell you the odds are a million to one… Whilst nodding your head dolefully, your attention might retreat out the window to the field of sunflowers nodding brightly in the breeze, saying only yes yes to life and the brilliant day. Then suddenly, no doubt on account of some reactionary indoctrination, the word miracle pops into your head. But you catch yourself, admitting full well, and not without regret, that you have to forfeit that one. Because miracle implies God, right? The ultimate cop out, right? So finally, your eyes, no doubt furtive if not slightly frantic by now, are combing the ward, the drug trolley, for that thing you hardly remember between life crises, and that abandons you any other time. You know the one, enlightenment. And this time is like all the rest so you settle for, ‘the Godhead Within’ approach (even though that’s what the biggest bastard you know says he’s got). So you’re not even surprised when they look at you funny, like you might be talking dirty or something. Then groan in agony and call out for more morphine, a bigger pill, a sedative. In fact it’s all you can do not to say, ‘Make that two bartender!’ Then they swear and use words like ‘fugh’ and ‘shigh’, holler once or twice, sometimes in a chorus, which invariably leads to a lot of oohs and aaahs (which makes you wonder if you’re actually being heard). So finally you end up pleading, silently, ‘moo, moo, like a cow’ which is only what the midwife told your sister Sheila during the birth of her monster; what Sheila, then high on endorphins anyway, now swears by. But you hold back on this one because frankly you’re not sure how they’d take it. And anger’s not very helpful at this stage in the game, right? Although, to be perfectly honest, it’s almost getting like you just want to put them out of your misery. When suddenly, there’s a rap at the door, and they sigh, and sink back with visible relief, pat out the creases and coo, ‘Come in.’ And there you were. What are you? A priest? A vicar? A rabbi? A counselor with a white turtle neck under a black sweater? The what? The lady with the tea trolley! Strong, two sugars.

THE END

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